The much awaited Lakme Fashion Week finale show by Sabyasachi Mukherjee was a spectacular success. Sabyasachi presented his Free Spirit Collection, inspired by the New Lakme colour cosmetic range of the same name that was launched at the Lakme Fashion Week.

Mumbai's celebs filled the NCPA auditorium to witness fashion world's most talked about event, and Sabyasachi did not disappoint, as he visualized his version of the Lakme Free Sprit by Day and Night.

A master at blending contrasting fabrics and embellishments, the collection had all the Sabyasachi classics like the wonderfully crafted smocks, the trapeze dress, the swing coats and the elegant saris with dramatic cholis as the creations gradually moved from day to night time glamour.

The colours were deep tones of brown, black, grey, green, khaki and olive with a touch of orange and gold to portray a kaleidoscope of cultures that ranged from Rajasthan, to Mexico and then to Kanyakumari and the fast paced life of New York.

Perfectly tailored pinafores with mutton chop sleeves, cutaway armhole smocks, clever colour blocking for the skirts, frock and trench coats in brocade and silk were part of this international looking collection. The saris were simple and created to set the mood, while the matching knit cholis topped with corsets gave a new fashion direction.

Embellishments were tonal with embroidery, quilting and piping playing a vital role. Layering is Sabyasachi's forte which he executed with great panache for short blousons, minis and even the majestic long gowns.

Accessories ranged from coloured leggings and tights along with stylish caps and shoes that varied from high heels to flat masculine lace-ups.

It was a collection that every woman would want to covet and wear for the most important day of her life when she marries the prince of her dreams.

Sensational embroidery and art deco Parisian prints of the 1920-39 eras were creatively worked together with the streamlined silhouettes of the 50s and 60s. This fabulous blend was the main stay of the Elita collection by Pria Kataria Puri at the Lakme Fashion Week.

A complete haute couture collection of dresses, gowns, saris and kurta sets, Pria lavished delicate lace, tulle, drapery with exquisite sequins, crystals, sura beads, rhinestone, pearls and silk resham for garments that dazzled and sizzled on the ramp.

The colours were as beautiful as the creations; as midnight blue, romantic rose pin, gold, olive, ivory to pale grey and charcoal provided a perfect back drop for the drop dead gorgeous embellishments.

From the seductive flirtatious gowns to the slinky kurtas and sheer churidars - each garment was a work of master craftsmanship and designs that only Pria is capable of.

The saris with interesting blouses and the innovative lehenga and choli designs will give Indian bridal wear an unconventional transformation.

Recreating the attitude and style of the stylish French woman, Pria's presentation started with a glittering gown and then went on to show a variety of garments with one distinct connecting factor - every garment whether a sari, kurta, gown, dress or skirt were edged with gold delicate lace.

The silhouettes were either slim or luxuriously flowing with interesting sleeves that ranged from large puff to bishop and kimono, while the necklines were square, "V", strapless, halter or Grecian.

For ultra bridal glamour the Elita collection by Pria Kataria Puri will undoubtedly appeal to the global woman.

Making a sensational debut at the Lakme Fashion Week with his collection titled, "Bombay Tokyo", James Ferriera created a brilliant western wear line from Mahrashatra's ethnic textile heritage.

Divided into seven collections the segments had interesting names like Warli, An Ode to Devnagari, The Sholapur Story, Diwali, The Hardy Traditional Towel, The Sari and finally Black Magic.

Where James scored was with his mastery over construction, cut and drape which he used stunningly for fabrics as diverse as chaddars, towels, dhotis and saris.

He also dipped into the enduring Maharashtrian art treasure by selectively using Warli paintings and the Paithani motifs on garments.

The chaddars were ideal for halters, jumpsuit with a moulded jacket, and a mini with a stitched pallav drape. The towels, dyed black, were unrecognisable for cocktail dresses while the dhoti fabric collection was an intricate exercise of draw string placements and origami shapes for dresses. While the rich nine yard saris were cleverly converted into tunics and dresses based on the different sari drapes of India.

James used the marigold and leaf motif on black shirts with interesting cowl necks where the construction was governed often by giant reverse darts, sleek minis and trendy club wear.

The Warli paintings danced on T-shirts, shorts, or were appliquéd on voile skirts and dresses.

The finale had the glittering Paithani designs embroidered on black georgette for amazingly structured garments.

James used the beauty of all these ethnic fabrics to the fullest. In an innovative manner the edges of the fabrics were turned into borders for the hemlines, sleeves and necklines to give the garments a natural finish.

When it comes to extreme creativity of the ultimate standard, then James Ferriera's "Bombay Tokyo" collection will definitely receive kudos from buyers and customers from around the globe.

The collection was called Free Spirit and that is exactly what designer Nalandda Bhandari has visualised for the women who will wear her garments in Spring/Summer 2007 under her label Nasha.

From a delightful white chiffon fish tail tunic with gold and rainbow sequin embroidery teamed with a gold satin pair of shorts, the scene was set for garments that had the distinct touch of the designer.

Soon there were sheer mul tunics with tie ups, a white cotton layered top and skirt and a white jersey dress with black trim all sporting the striking Nasha logo—the rose.

Crepe, jersey, cotton, voile, chiffon, silk, and georgette were ideal fabric choices for the collection, but Nalandda also played effectively with animal prints and peacock and African embroidery motifs to add that touch of drama and free flowing splendour to her garments.

The silhouettes moved from minis, to shirts and skirts, a tube dress, kaftans and finally onto a long burnt gold gown with large gold rose embroidery.

While Nalandda kept her detailing quite simple; she favoured the appearance of her rose logo on most of the garments including a solitary men's black shirt which sported the bright red rose on the back.

For a medley of glamorous garments that a woman can wear from dawn to dusk, the Free Spirit collection Nasha, the label by Nalandda Bhandari, will be one that will score high on the style and fashion charts.

It was a collection the Greek goddesses would have coveted and the gladiators fought over.

Lascelles Symons' presentation titled Aurum for Spring/Summer 2007 was a symphony of colour and drape in truly feminine styles that would turn any woman into a goddess.

Terming his collection as a cocktail prêt line, Lascelles picked the most dramatic colours to start his fashion story. Ruby, jade, coral and turquoise along with citrine and pearl was chosen in fabrics that draped and moulded the female form perfectly in minis, dresses, tunics and tops.

Detailing for the minis started with intricate Fleur De Lie drapes, pin tucks, reversed distressed pleats that textured the fabrics and gave the garments that exciting fashion edge.

Some of the stunning creations were the flowing cowl sleeve mini with front and back attachment, the nude beige empire line bubble hem halter midi, the shaded peach pin tuck low waist dress, a seductive sarong dress in fuchsia and finally a black halter gown with gold girdles on the bodice.

Lascelles added colourful cummerbunds topped with contrasting ribbons for added interest. The colour combinations were at times unconventional—mustard with turquoise and black.

Necklines were restricted to halter, empire line or delicate cowl necks, which fitted perfectly into the theme of the collection.

Lascelles scored on all fronts with his collection that will surely create a stir not only among mortals but maybe even the gods.

"Life through my rose coloured glasses" was the unusual inspiration for Deja vu the name given by Sanjay Malhotra to his Spring/Summer 2007 collection at Lakme Fashion Week. The collection of multi-coloured, layered and designed garments that came down the ramp reflected his love for life.

It was a line of garments aimed at dressing the modern Indian mature woman who enjoys a creative mix of fabrics that range from chiffon, georgettes, silks, laces, voiles, net, denim, brocades, tanchois—many of them trimmed with fur, feathers, leather and suede to give a very futuristic look.

The fabrics were mixed and matched or contrasted completely in their weight, design, colour and texture to turn into garments that had a lot of attitude and style.

Some of the interesting creations were a cutwork dress with mirror work bodice and giant bubble puff sleeves, which opened the show, an ivory mirror work jacket with chiffon sleeves, a multi colour corset skirt with a net petticoat, a grey/peach shaded lace chiffon fur edged tunic, a pink chiffon layered dress and a sexy yellow lace halter.

Hemlines were fluid as they moved from mini to midi and finally floor length for a striking black layered gown which appeared to be inspired by the Scarlett O'Hara look from the film Gone with the Wind.

Sanjay Malholtra's Deja vu line could be termed as strikingly different and eye-catching and one that will make any woman a crowd puller wherever she goes.

Payal Singhal's debut show at Lakme Fashion Week brought the glamorous chic of the Big Apple with her New York inspired collection for Spring/Summer 2007.

Working with fabrics that could fit into the budget of the stylish global working women, Payal selected seersucker, cutwork, satin, cotton, crepe, taffeta, brocade, georgette, jacquard and tulle for a cross section of club and party wear in just three basic silhouettes—bubble, trapeze and blouson for dresses and tunics with just a few empire line outfits.

The tunics and blousons were all teamed with an assortment of colourful gold, silver or melon leggings or tights.

So enamoured was Payal by the bubble silhouette that she worked it into an oyster white kaftan with gold embroidery.

Payal's colours were young and practical to move smoothly from day to evening glamour, so her choice was quite definite as she started with oyster white followed by tea rose, maize yellow, coffee, watermelon, and then moved on to grapefruit.

Using her embellishments creatively, Payal had mukaish work for the bodice and stunning stone work for collars and, at other times, just a hint of embroidery.

The hemlines were not rigid in their position, but moved from the waist for blouses, to hip, thigh and knee length.

Garment presentation was restricted to just one or two, though Payal had a watermelon quilted brocade jacket teamed with shorts and tights.

It was a trendy cute collection that Payal created, which will appeal to women who want to dress to make an impact.

Sanchita, an India born and Austria bred designer, presented a collection of continental resort wear for Carbon at the Lakme Fashion Week.

With shades of white, opal, black onyx, agate, apatite, jade and jet, it was time to move to the beaches of either Copacabana, St Tropez or the Riviera in sexy stunning bikinis and pareos or Hawaiian inspired kaftans, minis, tiny balloon skirts and floaty dresses.

Putting her collection into three segments that took the wearer through Copacabana, Punk Chic and Swinging Deco, Sanchita worked with clinging jersey, silk and muslins for garments that were very apt for the summer of 2007.

Embellishments were restricted to semi precious stones, delicate patchwork to give an unforgettable touch to the garments.

Matching Sanchita's designs for the holiday season were Carbon's beautifully crafted jewellery pieces and bags that complemented the garments.

To add more glamour to her collection, Sanchita had grey mélange T-shirts with silver leggings, nude strapless dresses with silver embellishments, Lycra T-shirts with sleeve ornamentations. She ended the show with a line of sexy jersey shorts and one strapless dresses embellished with brooches, necklaces and earrings.

To give the stronger sex some importance she added a shapely cut white tuxedo jacket with embroidered poplin white trousers, and some T-shirts for casual wear.

Simple but stylish is how the Sanchita for Carbon collection can be termed, with clothes that can be worn on beaches the world over..

If Narendra Kumar's last show at the Lakme Fashion week was a silent presentation that amazed the audience, then his show at the Lakme Fashion Week this time around was even more unconventional with models walking in to taped train and traffic sounds and live readings from romantic novels by eminent stage personalities.

It is impossible to describe Narendra Kumar's collection called when "Love Touches You" in a few hundred words; for each garment was a work of art at its ultimate best, displaying intricate construction and craft with creative designing.

The predominantly western line of women's wear received the master's touches when linen, silk, cotton, mull, georgette and net accompanied by excellent tailoring and a very high standard of finishing resulted in silhouettes and volume of the unconventional kind.

Pushing the design element to its very ultimate limits, Narendra turned the conventional bubble, shirt, skirt, bloomers, and shirts onto a totally untried styling path.

Each garment had several detailing directions, which however, blended together perfectly. Smocked and pleated skirts, half collars, side drawstrings for dresses and skirts, a combo of balloon skirt and shirt dress, or a combo of chiffon and appliqué sleeves - the list is endless but the results amazing.

Colours were muted so typical of Narendra's preference so it was beige, brown, dull jade, blue, and saffron embellished with traditional crafts like appliqué, smocking, shadow work and embroidery.

Suffice it to say that Narendra Kumar deserved every bit of the standing ovation and the shower of red carnations that he got from a wildly appreciating audience.

Savio Jon`s collection at Lakme Fashion Week spelt comfort with a capital C. Devoid of any form of structuring he allowed his garments to hang loose around the body.

Using the most fluid and sheer fabrics like chiffon, georgette, crepe, mul and nearly invisible fish net, that had to be layered intensely to make them opaque in nature, Savio achieved this by teaming up even three or four pieces over one another for a flowing comfortable effect.

Oversized blouses, struggled from under long line blousons, floppily dresses swished around the models; the pinafore silhouette was brought in for blouses, dresses and long lean maxis. The tube or the shift was nearly almost always devoid of any darts or seam structuring and volume played a major role in the collection. The colours were neutral with white, beige, grey, black, brown and pale yellow used over each other or solo, made a muted fashion statement.

Deep scooped armholes, low front and back necklines with careless cowls, some raw edges and overlooking as a detailing; gave a quirky slightly humorous touch to the garments.

For evening glamour, Savio Jon retained the tubular silhouettes but added some shimmer to the otherwise simple garments.

Known for his simplicity in creations which are at the same time outstanding in value and attraction, Savio Jon's Spring/Summer 2007 line was a serene blend of subtle designing touches, with large doses of comfort fashion.

Seema Khan created six new glittering lines for Spring/Summer 2007 for her Lakme Fashion Week debut which were a glittering presentation on the fourth day of the extravaganza.

Here were dresses with a show stopping, eye catching interest that only Seema can create. Keeping the base of her creations to georgette, muls and damask; Seema added wool floral motifs and embroidery and completed the garments with an assortment of belts that either perched provocatively on the hips, clinched waistlines or were clasped under the bust.

The colour story was a generous mix of all the rainbow hues ever created for stripes and florals while the finale was a contrast in pretty pastel shaded lemon and blue.

Known for creating sexy seductive garments, Seema's silhouettes remained true to what she does best - halter necklines, one shoulder cuts, deep plunging rear necklines draped with cowls, swishing asymmetric layered skirts, draped and rouched bodices, tantalizing slits - all aimed at making the lady the cynosure of all eyes as she enters a room.

Detailing was with lace trimmings, mirror crystals, hand painted stones, jewels and Swarowski crystal belts and wool, multi coloured beads and ribbon edging and detailing.

Here was a collection that could move effortless from the beaches of Goa in the mid night; to the sunny sands of the French Riviera where any Hollywood star would love to wear it.

The finale creation on sister-in-law Malaika Arora Khan was a pristine white will-power mini with a luxurious trial.

If it is glamour, glitz and arresting creations that one wants, then Seema Khan is an ace at the job.

Liberty Gen Next presented five fabulous designer collections at the Lakme Fashion Week proving that the future of Indian fashion is an ocean of talent that will push the design industry into the international fashion arena

VICE VERSA BY RUSHABH MANIAR AND TEJASWINI KULKARNI

Inspired by the beauty of Morocco, the shades of the land were reflected in the cream, turquoise and beige colours of the collection for well tailored western wear. Double layered trapeze dresses, simple shirt frocks with frogging closure, geometric embroidery for dolman sleeve blouses and stylized cuts made the Vice Versa collection perfect for the summer season.

AM RICH BY AMIT VIJAYA AND RICHARD PANDAV

It was a collection that revolved around the simple beauty of Itajime shibori which is an ancient Japanese textile art; where the indigo dyed creations had the technique strategically used on various parts of the garments. Combining the technique with solid colours like red, black, fuchsia and jade, The Itajime dyeing appeared as splashes of colours or at other times in the form of tiny flowers, giving the stark shapes of women's wear an elegant appeal. Accessorized by Obi belts the look was a mix of oriental and occidental chic.

ABDUL HALDER

Western bridal wear is an uncharted fashion territory which Abdul Halder entered with some exquisite white lace and net bridal gowns that glittered with sequins and crystal embroidery. Long elegant trails, veils to cover the faces and it were glamour all the way that will enchant any bride.

ISMS BY AJEET MISHRA

Here was an interesting look at men's wear through the eyes of Ajeet Mishra. The all-white suits were presented with colourful batik lining and contrasting batik shirts. Moving through the various periods of fashion from Renaissance to Pop Art, the detailing ranged from tab collars, kimono tie-ups for over lapping jackets, pin tucks for jackets and trousers and extended front plackets. Here was style most suited to the man of future India.

SKIN BY NIDA MAHMOOD

Kitsch was the key word of this classic with street influences collection inspired by Mata Hari and Catharsis. Reflecting the punk rock era of the past; canvas jackets with antique embroidery, halter tunics, multi paneled corsets and finally some retro punk saris in a mélange of fabrics and colours will give a new fashion direction to summer 2007 fashion.

When the inspiration is the city of Kolkata's Great Eastern Hotel, the collection has got to be unconventional.

The Great Eastern Hotel collection by Nikasha Tawadey for Spring/Summer 2007 recreated the glory of those by gone days when life was leisurely and the pace at ease.

The styles reflected the ambience of the 60s and 70s when fashion was relaxed and languid. Starting with a colour palette of white, pink, lavender, green to khaki, beige, ivory and grey for jerseys, georgettes, satin, chintz and brocades Nikasha had a touch of kalamari and the end result was trousers, wrap skirts, jump suits, pencil skirts, sexy blouses and tunics.

Detailing matched the mood of the inspiration as pleating, pin tucks, floral prints; paisleys were interspersed with the dual fabric selections.

The opening white broderie anglaise collection had pretty dresses with mirror and sequins work; while waist coats in the same fabric were teamed with pencil skirts.

Prints were on mull as crushed skirts, tunics and peasant tops recreated the nostalgic past.

Jersey dresses were combined with printed georgette detailing; while a black satin printed top with smock detailing worn with a printed skirt glittered with sequin detailing.

For lovers of the days of wine and roses and the nostalgic past, Nikasha Tawadey's collection will revive those wonderful memories in a fashionable stylish way.

Just as a moth flits around in a field of beautiful flowers, Chaitanya Rao's Spring/Summer 2007 collection at Lakme Fashion Week was a breath of fresh air in the early morning.

Styling was tender as the petals of a budding rose on gossamer fabrics like georgette/chiffon and the overall look was dreamy yet seductive and oh, so pretty.

The moth was the recurring motif on most of the dainty garments in print, embroidered or appliquéd form.

The opening pale grey chiffon tunic with moths scattered all over worn with matching tights set the mood for the collection. The frayed hem blouse with the theme embroidery was teamed with the tiniest of pleated mini skirt.

Soon there was a stream of utterly feminine clothes that set the summer mood from Chaitanya. A shirt dress with tiny glittering motifs, a batik mini with a cream moth appliqué blouse, a chiffon cream bubble will-power dress with a tiny shrug, followed by a frayed hem acid smock, moth print dress - the collection like a favourite summer melody was enchanting to remember. Long frayed double hem dresses and skirts ended this 'very relaxing to view and wear' collection.

Chaitanya's silhouettes were basic with mini skirts and dresses along with seamless dolman sleeve hipster blouses in colours that were muted and subtle yet a perfect backdrop for the designer's inspiration. Accessories were restricted to broad or thin belts that moved up and down the waist line.

Chaitanya Rao has truly created a refreshing line for Spring/Summer 2007 with just the right amount of glitter.

Mumbai, Nov 2, 2006 - Show five - Day three : Paying tribute to India at the Lakme Fashion Week French designer, Nathalie Garcon opened her Spring/Summer 2007 collection with an ethereal white lace dress worn with churidars and then followed it up with a wrap skirt and moulded jacket over the rouched Indian garment.

After that it was a fun line of western wear with an ethnic theme. Some smart slate grey linen suits with contrast stitching were part of a look that had a printed shirt with waistcoat and skirt accessorized with Indian scarves.

Colour returned once again with a multi hued gypsy skirt teamed with a slate grey floor length coast.

Smock sun dresses in vibrant shades added a happy touch to the collection. Some smart clinched waist jackets worn with polka dotted skirt set the pace for the cream and black coordinates which came with a line up of lace edged slim skirt, black camisole, gilets with parallels and a dramatic graphic black and cream Spanish like tiered dress.

The collection inspired by the cote d'azur of the forties had strong colours as 'bayadere stripes' and multi fabrics were crimped into beach sarongs and bikinis, summer dresses and sheer layered gypsy skirts added to the excitement of the collection.

Nathalie Garcon created a fabulous collection that could do well not only on the continent but even on the Indian shores.

Mumbai, Nov 2, 2006 - Show five - Day three : It was Viva La France as Leonard of Paris unleashed a colourful presentation at Lakme Fashion week with a variety of dresses revealing a distinct Parisian flavour. Like a romantic walk along the banks of the River Seine, the Leonard collection for Spring/Summer 2007 was splashed with a garden of exotic blooms.

The full bodied fabrics like terry cloth, gave the abstract shapes more definition while the silk jersey and chiffon along with organza, waffled crepon created a fantasy of women's wear where little frock coat dresses, beach minis and tent dresses set the mood for the show.

While the rounded sleeves were the distinct characteristic style for the dresses, there were wrapped and rouched creations as well as pleated and printed trapeze ensembles. Toga like minis and comfortable floor length loungers with peek-a-boo rear interest and drapes completed the outdoor look.

The floral prints were a riot of colour that moved from orange, vanilla, purple, violet white to aqua, fuchsia and grey, while the multi-striped sun dresses had neutral caramel shoulder strap edged with matte white leather insets.

For evening glamour there were shimmering multi hued smocks where the colours palette ranged from red, fuchsia, brown and orange. These were followed by long gowns with glittering bodices. Detailing pointed to a high empire line almost turning this cut into a yoke while the rounded sleeves turned into extended puff versions.

Belts made a regular appearance for most of the garments with buckles sporting the label's emblem - the orchid. For lovers of French style, the Leonard of Paris label did not disappoint with its chic collection.

The way Indian women will dress for work and play will all change come March 2007 when Allen Solly will launch its Solly Woman and her Travelogue collection for Spring/Summer 2007 across more than 100 stores. Here is a perfect collection for the working woman as well as the discerning fashionistas who want to dress in the latest western wear.

Designed by the in-house team of Allen Solly; the show opened with a pure white collection of knit blouses teamed with linen skirts, Capris or leggings. The detailing on the tops ranged from lace edging, drawstrings and neck ruffles while the skirts were delicately tiered and edged with lace and embroidery.

Little lace waistcoats and cropped jackets were worn with sharply cut pants. For those high powered board meetings the brand has crisp striped linen business suits in corporate colours like beige, brown, blue and black, and comfortable striped blouses that can be worn with gilets or waistcoats.

For fun in the great outdoors, there is a choice of T-shirts, mini skirts, sporty halters, leggings, Capri pants and of course denim for skirts, shorts and jeans.

Moving into some after 8 action, Allen Solly dresses women in skin tight gabardine black pants with shirts in midnight colours of deep maroon, black, and brown; worn with either satin gilets or the popular cummerbunds. Chiffon blouses, tailored jackets and formal trousers complete the feminine look.

Allen Solly`s elaborate trendily designed women`s wear will surely revolutionise the way the fairer sex will dress in India during the coming year.

When Rahul Mishra and Samar Firdos presented their collections in the Gen Next section of Lakme Fashion Week in April 2006, the duo got a standing ovation. Therefore, their pairing was natural, as the former is an ace designer and the latter a brilliant textile person. Between the two their collection for Spring/Summer 2007 titled 'SHEEN Unseen' was an amazing feat of Indian craftsmanship that is difficult to achieve.

Starting with a rich textile base specially created for the collection, where the engineered fabrics in pearly shades of ivory, ecru and pale pink and blue with horizontal stripes at the hem were just the right weight for elegant cocktail dresses with interesting pleat detailing, the collection moved onto more intricate detailing techniques like smocking and Kutchi needle work.

The ethereal brosso in shades of white was crafted with pleats once again to take garments to a higher fashion level. The delicate needle and thread work of Bandhani was given a new direction by the duo when it turned into texturing for gowns, minis, skirts and blouses. A pink pleated balloon dress with half pleated trumpet sleeves was simply sensational.

A Spanish inspired panelled dress with spaghetti straps, a tailcoat dress with accordion pleats and finally the beautiful line up of gowns in shades of emerald, fuchsia, chutney, shaded green, grey and red were breathtaking. Each garment was dramatic in its simplicity, but brilliant in its visual beauty.

If Rahul and Firdos showed promise at their last show, their Spring/Summer 2007 collection will surely fill the racks in India and abroad.

Mughal miniature paintings, flora and fauna, royalty and the Kamasutra inspired Deepti Toor’s collection. It was well crafted to create western wear with the right touches of Indian craft and detailing, with clean and elegant lines. Deepti, who had showed at the Lakme Fashion Week Gen Next show in April 2006, designed her Spring/Summer 2007 line such that the feminine garments could move effortless from day to evening wear.

The prints were in muted dull tones of maroon, deep green, black or wine red and the Mughal miniature prints appeared on the ecru base of a practical cotton base. Long linear drawstring dresses in ecru, gunny sack skirls, bubble dresses with piped hems, will power dresses with strategic prints, a triple bubble midi in pale green, a cut away sleeve printed smock and a dolman sleeves blouse with external drawstring interest were some of the eye catching garments of the collection.

Deepti's detailing zeroed in on inverted pleats with printed insets which she used creatively in either vertical or horizontal form for skirts and blouses. Dresses were clinched at the waist with printed or embroidered waist bands or sashes.

Deepti had a firm hold on her creativity which she revealed on all fronts and her sharply tailored dresses were a comprehensive spring/summer offering for Indian as well as western buyers.

When the inspiration is the hit film Omkara, then the collection has to be as colourful and vibrant as the theme. Swapnil Shinde's Spring/Summer collection had its beginnings in the happenings of this Bollywood blockbuster.

The clothes were at times feminine at other moments rough and rugged. The constant accessory was the metallic half gloves while the fabrics included the evergreen Maharastra handloom saris like the Narayanpet and Maheshwari for pleated bubble skirts and dhoti minis.

Colours were as rustic to match the fabrics with sky blue, brick, red, egg shell, ocean, sand and mango leading the list along with pure white.

Working with the theme, Swapnil also brought in a touch of the preppy look of the 70s then moved into the 80s for peach draped ruffled cocktail dresses, metallic ribbon detailing on draped green minis and then to tiny cutwork shrugs with shading worn over a green draped dhoti skirt.

For a mix of the east and west there was a will-power dress with rhinestone bodice over a trapeze layered dress, a white drop waist elasticised shimmer mini, and wired wave like tiers for a ruffled bodice dress.

Swapnil's interesting fashion innovation was the drawstring effect that raised and dropped the hemline of dresses like a curtain according to the fancy of the wearer. Swapnil’s collection was interesting on all fronts whether it was colour, style or design.

Hailed by the international press as the hottest designer to come out of India in 2006, Arjun Saluja is all set to blaze a fashion trail with his Rishta label. His Spring/Summer 2007 collection will please the fashion needs of the most discerning women not only in India, but also around the world.

Inspired by Japanese draping and German architecture, Arjun is known to blend architecture with fashion and come up with amazing results. His garment story was varied, giving fluidity and structure equal importance. From his first dramatic entry of a black long toga dress edged with braid, the scene was set for exciting fashion.

The collection moved from dhoti salwars with a geometric top, pin tuck bubble skirts with structured pleated print tops, flowing Cossack pants, jodhpurs with side openings that revealed pearly shades of satin to boat neck minis, rouched skinny pants in beige and finally to metallic Star Trek like minis, shirts with side cutaways, flowing black dongree pants with intricate blouse and ended with a floppy ivory kimono jacket and wide pants with turn ups. Here was a collection that gave the show an unpredictable fashion excitement.

Fabrics like silk taffeta, chiffon, georgette, satin, tweed wool were mixed with leather, while the drapes and detailing will surely turn Saluja's Rishta line into a great seller.

It was colour all the way for Sandip Biswas when he presented his Spring/Summer 2007 collection at Lakme Fashion Week. Inspired by 19th century impressionism in the art movement, Sandip's all-western line of flamboyant women's wear was a mix of patterns, fabrics, colours and embellishments that were moulded into a rather festive but casual collection.

Embroidery was a mix of scenic motifs or florals strategically placed on yokes, back, bodice cuffs and frills. The fabrics were cotton with checks, stripes, florals, and geometric patterns coming together in a fusion of layered skirts, body hugging blouses, long sensuous gowns with dancing flounces and stylised jackets.

Some of the interesting pieces were a blouse with a striking peplum in a contrasting fabric, shades of pink and orange appliqué for a top, an intricately quilted bodice that complemented a cream/blue floral dress and a peach tunic with embroidery and prints.

The peplum appeared periodically even for skirts, which were layered, tiered and frilled in a profusion of fabrics. It was a fresh and vibrant collection. The matching handbags were a perfect accessory for the creations.

Sandip, who has worked with Armani, Oscar De La Renta and Valentino in Europe and Shahab Durazi and Narendra Kumar in India, has made the most of his experiences to blaze a trail that is an unconventional mix of European and Indian sensibilities.

Like a breath of fresh air on the beach or a walk in the countryside in summer, Julie Kagti's label Sutra Knots on Cloth gave a refreshing look to Spring/Summer 2007 fashion. The theme of the collection was the quiet musings of the designer in solitude, searching for beauty in nature.

Using textile treatments to enhance her fabrics, which comprised chiffon, silk, khadi and crepe, with shibori dyeing patterns and kantha to texture them, the collection had fluid flowing shapes that moved easily around the wearer.

Colours belonged to a muted family of beige, chocolate, mustard, gold, blue, pink and cream. Some of the interesting western garments were a dress with kantha hand tucks embellished with sequins and raised appliqué circles inspired by the shape of a shell; the square double layered dress with tie up waist and an asymmetric pebble textured poncho with hand tucks; and a tie up worn with flared pajama with kantha wok. Julie also added Capri pants with slits which were teamed with a V neck kaftan top with ties at the waist.

The Indian element of the collection was from the four saris—starting with the patchwork piece with a combination of kantha and shibori, the double layered sari, another in kantha hand tuck and the final one with a design that had a blend of floral appliqué in yellow and white over gentle waves.

Julie Kagti's collection was one of calm and serenity which will be an interesting Indo-west fashion statement for Spring/Summer 2007.

For Spring/Summer 2007, Goan designer Wendell Rodricks chose the international colour palette of black, grey, white and red, but his theme was far from summery and cool.

It was the ethereal mysteries from his region where beings of the nether world abide. Les Vamps set the mood for a fashionable shock for the audience at Lakme Fashion Week.

Wendell's fabric choice stayed true to his favourites-silk, crepe, charmeuse, chiffon, cotton, linen, chenille, wool, crepe, crushed silk, tulle, pleated organza, metallic Lycra and woven damask which he skilfully textured. The Wendell Rodricks silhouette has always been his forte with volume, fluidity, flow and asymmetric layering.

But his constructions were strong, too, and so were his innovations like the looped sari pallav, multiple net pleating, angel and batwings, circular drapes, ripped satin inserts and draped pleated tunics.

From his first entry of a long black flowing robe with skinny trumpet sleeves over a red shimmering mini, the designer carried the spiritual theme of a more dark kind with pleated organza covers, black linen blouson with leggings under sheer wrap skirts, a black voluminous poncho, grey shaded long kurta, interesting circular dupatta sleeves, a dramatic net sari with a pleated pallav and then moved on to black asymmetric top over red lining worn with shorts, a tunic with placement pleats on the bodice and black net gown with flesh coloured lining.

Men's wear was stylish with sherwanis, short hip length button less jackets, comfort tunics, sharply tailored shirts with epaulets and sheer/opaque linen shirts. While the Wendell Rodricks theme may have been a trifle unconventional for the coming season, his collection was as earthy as ever.

For Zimbabwe born and South Africa bred designer Clive Rundle fashion is an idea that can take many forms. So his collection for Lakme Fashion Week had a colourful mix of fabrics, styles and detailing that presented the designer's creativity at its best.

Starting with a saffron mul floor length over coat worn with shorts, he brought in wine coloured velvet for structured blouses and jackets and continued the fabric story with crushed flowing covers over minis and jackets with flowing tabs at neck and body.

Checks appeared for shrugs hiding printed mul dresses and a striking piped petal blouse was an eye-catching entry.

The white organza collection had some clever structuring for rear wrap dresses with deep cutaway backs and intricate detailing. Clive scored well with the look where he crushed and shredded the material to turn it into layers of feminine flounces.

To give more variety, denim was used with subtle camouflage print for military jackets, while the trouser silhouette included some heavy brown/gold samurai pants teamed with sheer blouses. Checks, a favourite with Clive, appeared again in a blue/pink combination for sharply cut jackets and matching pleated parallels.

For evening glamour there was a black short top with raffia detailing on the sleeve worn with dramatic matador style pants, while the trench coat dresses in deep grey with a hint of pink were ideal for formal wear.

Clive Rundle gave a truly stylish introduction to India of African fashion with his vibrant collection.

Asande Madyibi and Balekwa Nazo, the designers behind the Sun Goddess label, presented a fabulous collection of formal evening wear with the right touches of African craft and western chic. From the strong hues of Africa like earth, brown, ochre, beige and sandy tones to leather and detailing with feathers, the collection opened with a purple tiered cotton floor length skirt with white piping teamed with a one shoulder top.

Leather was treated with a lot of fashionable respect for corsets, skirts with top stitching and bustiers. Patchwork added one more dimension to a long skirt, while a satin halter blouse teamed with a feather lined skirt recreated the feel of the African country.

Revealing a distinctive Tsonga feel, which appeared through the garments, the line comprised opulent gowns in shades of deep scarlet, dazzling purple and royal blue. A brilliant yellow will-power gown with brown piping, another brown beauty worn with a red obi and Spanish ruffles at the hem with green insets, a black blouson gown with ornate yoke and a black rust/peach Spanish inspired creation in post box red were ultimate glamour options.

There were more ensembles like the dull blue perma pressed pleated gown with rouched bodice, a silk kimono gown in shades of blue and finally a brown silk gown edged with feathers with an ornate African cape to end the show.

The designing duo used draping, pleating, appliqué, hand painting and intricate South African beadwork along with lavish use of frills, flounces and feathers to turn their creations into showstoppers.

The Sun Goddess label, with its international collection, created a fashion stir at the Lakme Fashion Week among the Indian fashionistas.

When it comes to creating stylish resort wear no one can beat Nandita Mahtani who knows just what a woman wants to don when she is relaxing on and off the beach.

Nandita's Spring/Summer 2007 collection had all the favourites from her Ananya label as she unveiled a medley of colours and styles with large doses of embellishment. Lycra, georgette and satin are Nandita's favourites and she styled them into minis, kurtis, kaftans, tube dresses, halters, jumpsuits, skirts and some comfort wear for just lazing on the sands under the moonlight.

Picking floral prints as her basic, along with solids, Nandita opened the show with a striking jersey kimono dress then moved onto a green bubble halter creation, added some cute hoodies with embroidery for short jumpsuits and then sent out a shimmering baby doll mini.

The drawstring played a stylish part in Nandita's creations moving from the hips to the waist, giving the garments a gentle blouson effect. Sleeve interest was the focal point of most garments as butterfly, dolman, kimono, cut away and flowing long sleeves were edged with the right amount of gotta, mirror and resham work.

The colour story was a pastel chapter with baby pink, powder blue and sea green along with Nandita's basic white, which she predicts will be hot for the coming season along with red.

The final section was a burst of gold and silver Lurex for long slinky skirls, jumpsuits and a tiered white dress with an empire line glittering bodice.

Spring/Summer 2007 for designer Surily Goel is a time for shimmer and glamour. She unveiled her collection called Jewel, a range of dazzling formal western wear that has touches of nostalgia dating to the stylish 1920s era-with the swinging Charleston dresses with drop waist and chemise like creations that give women a subtle yet slightly naughty look. Her collection also had a touch of the Roman silhouette with seductive toga like tops and dresses all teamed with gold strappy Roman sandals.

Dividing her collection into four stories, Surily started with light pink and opal green for little empire tops worn with shorts and leggings, then moved onto rouched strappy baby doll dresses, Roman toga tops with asymmetric skirts and bubble skirts over flesh coloured body suits. Some subtle glitter emerged from the beaded and rhinestone shoulder straps.

The second collection started with sheer trapeze layered dresses-self designed bubbles with touches of silver, gold and black with just a slight spark of red and emerald green appearing as piping or lining. The popular polka dots appeared in all sizes for layered sheer chiffons and accessorised with embroidered broad belts in the third segment.

Finally it was prints in shades of pink with gold gotta ribbons and motifs for blouson shifts, with lavish embroidery on hems, neck and sleeves. The dress was the focal point of Surily's collection and, for her, the colours that will make fashion news are red and silvery grey, which is the 'new black'. This was shown in a show-stopping cocktail dress glittering in its simplicity worn by ex-model Rhea Pillai.

Surily Goel's Jewel collection will surely prove a treasure trove of style and elegance for the Indian fashion conscious.

Nov 1, 2006 - Show two - Day two : The designing duo of Shyamal and Bhumika Shodhan has strong fashion credentials. The former is from the Central St Martin's School of Art and Design while the latter studied at the National Institute of Fashion Technology. The combination of these two creative minds was their eclectic Spring/Summer 2007 collection called Colours of a Shadow that revolved around muted shades of tobacco, khadi browns, amber, green, olive, white, beige, gold, salmon pink and banana for natural fabrics like linen, raw silk and hand-woven brocades.

Playing with a predominantly western silhouette, but with Indian fabrics and craft; the embellishments moved from appliqués, quilting, texturing and patch work to gold khadi print, pleating, layering, hand stitch detailing all on a very discreet and subtle note. The duo's collection had a distinct identity which was inspired by the romantic season of spring in Paris when love is in the air.

Striking creations were the canal blue brocade top worn over crème raw silk skirt, pastel turquoise dress with hand stitch detail and pleated yoke, the slate pink off-shoulder dress with brocade leaf appliqué, a delightful appliquéd shrug over light gray parallel calf length trousers and a stylish sand storm colour sleeveless dress with quilted extended placket.

Making some new style statements, the pair teamed a textured silk dress with short churidar pants and a rust dress with gold khadi print with the tiniest of honey gold shrug. For Shyamal and Bhumika their Colours of a Shadow collection is undoubtedly all set to put them in the limelight for the coming season.

Nov 1, 2006 - Show two - Day two : Blending Indian crafts with western silhouettes comes easy to Anupamaa Dayal and her collection called 'Grace' had all the beauty charm and femininity that gave the garments a stylish edge on the fashion scene. Anupamaa's inspirations for her Spring/Summer 2007 collection was a mix bag of diverse thoughts right from the Japanese Samurai, an old Afghan rug and even the dry leaves in her garments.

Her fabrics were silks, satins and traditional textiles all crafted into shapes that created a beautiful poetic story on the wearer. Shades of opal, silver, pebble and pearl had dashes of Kingfisher blue and strong red making her ensembles stunningly eye-catching. Embroidery and detailing was used not only to embellish the saris and other garments but also to enhance their style and form. The grey floral print quilted jacket with indigo slip dress, the fan print wrap dress with the magnificent black needle work waistcoat the black heavily crafted needle embroidery silk fitted jacket that had an assortment of multiple colour satin stitches were some stunning examples.

From the cocoon to the bubble silhouettes, Anupamaa moved to a striking reversible wrap jacket in blue and gold gotta embroidery worn over a pale olive shift dress and then onto an unconventional tulip shape red raw silk dress. Anupamaa's mix and match concept for her line of separates gave the complete ensembles a stylish international twist.

When it comes to Indian crafts that need to be presented in a western mode; Anupamaa Dayal has carved an enviable niche for her brand, which will give the Indian as well as the foreign buyers a taste of style, culture and elegance.

Nov 1, 2006 - Show one - Day two : A graduate of the London College of Fashion, Anand Kabra's debut collection at the Lakme Fashion Week brought in the quiet elegance of Japan. Titled Hatsuhi which means the 'first sun' in Japanese which is about renewal, Anand brought his inspiration in the form of the contemporary circle in different forms and sizes throughout the collection.

Keeping the colours to more earthy tones, he had blue, green, russet and gold as the back drop for the prints, embellishment and fusion styles. Skillfully hand painted, embroidered and appliquéd; the sun motifs moved from over sheer elegant kaftans, dresses, saris as well as kurtas and skin tight churidars and leggings to flirty skirts. Freedom was the key factor of Anand's creations allowing the wearer to move gracefully in the garments although the latter were often detailed with the right entwined fabric touches.

While the silhouette was structured, some of the pleated skirts were teamed with interesting tunics. Necklines were seductively molded to the body in chiffons and silks. The collection had the fluid feminine feel as a striking orange/brown/jade will-power kurta was teamed with churidars while its sheer longer version had a dramatic elegance. Saris and lehengas carried the theme further on the ethnic front while fusion wear like a long line blouse with a mini and embroidered leggings were unconventional ensembles.

Anand Kabra, a Hyderabad born designer is hailed as the city's 'first son of design' who is skilled in blending his borderless creations with intricate embellishments.

Nov 1, 2006 - Show one - Day two : Graduate of the Wigan & Leigh College, Kolkata and winner for Eastern India at the Smirnoff International Fashion awards in 1999, Abhishek Dutta made a stunning debut at the Lakme Fashion Week with his collection titled Immortality for Spring/Summer 2007.

Sticking to a muted palette of hues like beige, green and peach Abhishek created garments that ranged from the western dress to the traditional sari but gave each genre of fashion his characteristic touches in fabrics like knits, cotton, silk, brocade and chiffon. His eye-catchers were the multi fabric pleated shot silk mermaid skirt, the very intricately crafted lattice work paneled version of the same, the balloon skirt teamed with a colourful corset blouse, an earthy balloon skirt with vertical embroidery teamed with corset, a pair of Capris with dramatic cowls at the hips and a pair of tight rouched churidars worn with a gathered bodice and ballerina skirt.

Saris took on a new avatar with lace edging, or gave the pallav a crushed elastic treatment dappled with embroidery. Abhishek's fabric mix proved that he can create a perfect combination of diverse textures and weaves. The draped silhouettes had intricate detailing and embellishments giving a new dimension to structured clothing. Abhishek Dutta's label ADNormal is an interesting combination of the east and west bringing together detailing of a very high standard.

Mumbai Oct 31, 2006: Vikram Phadnis's maiden appearance at the Lakme Fashion Week proved that he is Bollywood's ace designer who can create dazzling glamour for his heroines.

The glittering line of evening wear titled Blithe Panache had everything and much more for Indian women who desire to dress like Bollywood divas. Playing with a colour palette which revolved around green, blue, red and orange with variations of the same for jersey, nets, georgettes and chiffons; Vikram let his creativity move into top gear as he unleashed a spectacular line of long layered flowing gowns, short sexy halter minis, some unconventional ethnic wear where the sheer rouched churidars were teamed with tantalizing kurtis over tiny bikinis.

Playing with prints, Vikram mixed and matched florals, geometrics, and stripes and came up with a perfect cocktail of night time glamour. Embroidery has always been Vikrams's forte and he used it lavishly on his garments as well as the regal saris and cholis. Giving the staid jackets a new twist he created them from sheer chiffon and sprinkled them with pearls and crystals while adding a more detailed peplum and an ornate skirt. Jerseys, nets and georgettes vied with each other to give Vikram's creations the right touches of flow over the feminine form. The traditional lehenga turned into a swirling full circle georgette skirt teamed with short embroidered sherwanis.

Creating a dramatic blend of ethnic and western ensembles, Vikram Phadnis scored brilliantly with his ultra glamorous line that will definitely be a show stopper for the wearer.

Mumbai Oct 31, 2006 : Her clothes always have that dreamy beautiful element that only Priyardarshini Rao is capable of creating. Her Summer of 2007 collection at the Lakme Fashion Week had the soft ethereal colours of nature as tones of pale crème, sky, beige, jade, moss, mocha deep coffee, petrol and charcoal added gentle touches to delicate fabrics like voiles, muls, organzas, linens and light silks. At times a clever mix of all the fabrics gave a rich look to the ensembles.

Known for her command over texturing of fabrics, Priyardarshini played with pleats moving them skillfully all over the garments from yokes, to sleeves and then on to the bodice and skirt and finally on the hemline. Her creations for men and women were comfort personified, embellished some reverse appliqués, cutwork, and edged skilfully with frayed edges.

Women's wear swayed gently from trapeze dresses, empire line tunics, tiny shifts and blouses and then onto flirty short layered skirts, some form fitting knee length ones and then finally moved onto tunics which were teamed with either skin tight churidars or voluminous salwars.

Trousers were easy on the shapes with the patched pockets moving adventurously up and down the legs for both sexes. The drop waist dresses and long line shirts for men added that laid back look to Priyardarshini's collection.

Embellishments were discreet - floral embroidery, tonal appliqués, some contrast godets and inverted pleats, a sprinkling of shimmer and touches of dull gold dots.

Priyardarshini Rao's Summer of 2007 had everything - style, form and comfort to cool down those hot summer days and nights.

Mumbai Oct 31, 2006 : It was a dream of a show for every male when Stanza the Numero Uno shirt and trouser brand in India presented its latest collection at the Lakme Fashion Week. Every colour under the sun and every pattern turned the humble shirt into a designer item as pastel stripes bright orange with muted contrasts, multi stripes, floral, paisley and abstract prints gave a limitless option to choose from.

While the shirt shape remained basic, it was the interesting detailing that made the garments eye- catching as floral cuff linings with striped shirts and contrast collars and cuffs gave some stylish touches.

The collars were the popular spread shape with a 5 cms collar point. But the round cuffs turned a little broader with double buttons or at times in the classic French cuffs. Occasional detailing like pleated patched flap pockets and epaulets gave some interesting touches to the shirts. Knits were striking especially a bright red with black horizontal stripe Tee with contrasting white collar and cuffs. The fabrics were a selection of rich cotton, linen, silk and blends.

The accompanying trousers which are a specialty of Stanza were in linen, cotton and blends slim in silhouette with just the right amount for detailing that added to the elegance of the garment.

Known for their immaculate tailoring, the Stanza shirts and trousers have impeccable finish with 18-22 stitches per inch throughout.

Style wise the Stanza shirts and trousers are the latest in fabric, design and cut as seen on the international catwalks of the world.

The three Stanza labels namely Linea Classica, Linea Sport and Linea Moda present a cross section of men's wear that caters to the casual and formal genres giving the Indian man the best in western wear.

Vineet Bahl`s collection for Spring/Summer 2007 had the unusual title Indjapink at the Lakme Fashion Week but revolved a kaleidoscope of cultures to create a rich tapestry of women`s wear.

Divided into six sections, Vineet started with the pristine white Victorian segment where tone-on-tone chikan work was given a new treatment almost turning it into appliqué. The shapes were empire line and the effect `very little girl lost` in appearance.

Alhambra was a contrast as colours suddenly appeared for tunics with embroidered yokes and satin Capris, reflecting the mosaics of the Alhambra Palace in Spain. Josephine brought back the empire line but slightly unconventional for long will power gowns caught at the bust with black or red piping and pleating as the main stay of the collection.

The Tiara line had tunics with leggings with the 1930s look with net insets in shades of black, with splashes of pink.The Pastoral was in matka silk for separates, layered gathered skirts and floppy tops in contrasting fabrics like washed silk to smooth satin. The colours here were vibrant with sapphire, smokey topaz and ivory in the forefront. Embellishments were with raffia, velvet cutouts and tiny wooden beads. Clinched waists and drop shoulders added to glamour of the garments.

The Temple line had all the colour and drama where the temple border of the saris were transposed onto garments in silk, georgette and chiffon strips in horizontal and vertical designs. Vineet Bahl's Indyapink was a fun filled bright collection with all the right touches that will appeal to the contemporary fashionista.

Mumbai, Oct 31, 2006: Dev r Nil, the talented Kolkata duo`s presentation at the Lakme Fashion Week for Spring/Summer 2007 was a delicately embellished, feminine line of women`s wear in muted colours that gave the garments a beautiful ethereal look and its very apt name Chocolate.

Having a firm control on the silhouette, the duo stayed true to fluid lines with the balloon and bubble shapes as their favorites for skirts, tunics, blouses, camisoles, and some very unconventionally styled prestitched saris.

The fabrics were predominantly jersey with a hint of crushed handloom cotton for the hemlines, tulle for edging, georgette for pleats with dramatically executed smocking for bodice and hems.

Discharged prints were used in their muted form for tea-dyed jersey dresses on shades like ecru, carab lime soda and banana while a hint of red to the excitement of the creations. Block prints appeared but were hardly visible yet added a touch of class to the garment. Wrap tunics were cleverly draped and then twisted around the body to flow gently down to the floor.

The prestitched saris with embroidered waistbands and cowl neck blouses resembled graceful gowns. Glitter was discreet with antique sequins adding just a hint of dazzle.Dev r Nil scored on all fronts with their beautiful collection that swayed like a delicate bouquet of summer flowers in the breeze making the wearer the cynosure of all eyes.

Oct 31, 2006 - Show one: Day one

There was humour; there was subtle colour and loads of striking detailing when Narendra Kumar opened the Lakme Fashion Week with his Spring/Summer 2007 men's wear line.

Titled The Artist Inside, Narendra had drawn his inspirations from abstract art of Jackson Pollack the cubist movement and through the works of George Braque so the mainstay of the collection was detailing which appeared on trousers, shirts, and jackets.

Starting with a batik shirt and linen trousers his shirts were replete with flapped patch pockets, some embroidery, and tiny floral prints. The jackets with one or two buttons were either vent less or with two vents once again with some quirky detailing like a single printed label, triangular contrast bands, puffed pockets.

But it was with the trousers that Narendra allowed his imagination to run riot. Lots of zippers appeared all over, while the legs tapered down to almost skin tight silhouettes and the Capri and cycle shorts had pleating, large flap puffed patched pockets, or contrast piped slit ones.

The silhouette always remained close to the body with an occasional burst of volume and the look was more sporty than formal. Even the two piece suits were in dual colours worn at times sans footwear.Colours ranged from natural to apple green olive, rust, and gold. There was some tongue-in-cheek humour when a white linen kurta came with a misplaced printed two piece colour on the body or the swinging horizontal striped shrug. His finale white linen suit with hand painted strokes on Bollywood hunk, John Abraham was a stylish yet unconventional formal option.

Narendra Kumar's men's wear gives a new ultra modern millennium look to clothes which the Indian man will enjoy wearing during the coming season and also be of great interest to the western buyers.